August 28, 2011


$36 at SPD’s sidewalk sale equals


Bök, C. (2001). Eunoia . Toronto: Coach House Books.

Brolaski, J. T. (2011). Gowanus atropolis. Brooklyn, NY: Ugly Duckling Presse.

Calkins, J. (2006). A story of witchery. Los Angeles, Calif.: Les Figues Press.

Conrad, C. A. (2009). The book of Frank. Tucson, Ariz.: Chax Press.

Doris, S. (2000). Conference . Bedford, Mass.: Potes & Poets Press.

Foust, G. W. (2009). A mouth in California. Chicago: Flood Editions.

Johnson, K. (1997). Doubled flowering from the notebooks of Araki Yasusada. New York: Roof Books.

London, R., Scalapino, L., & Child, A. (eds.) (2003). Basta assez enough . Oakland, CA: O Books.

Mandel, T. (2007). To the cognoscenti. Berkeley, Calif.: Atelos.

Moxley, J. (2007). The middle room. Berkeley, Calif.: Subpress.

Scappettone, J. (2009). From dame quickly. Brooklyn, NY: Litmus Press.

Wright, C. D. (2010). One with others: a little book of her days. Port Townsend, Wash.: Copper Canyon Press.

Young, S. (ed.) (2006). Bay poetics. Cambridge, MA: Faux Press.

Zultanski, S. (2010). Cop kisser. Toronto: BookThug.

August 20, 2011


Translator’s note: Katsu means “arrowroot” and to means “wisteria.” Arrowroot and wisteria, being vines, are unable to stand by themselves but grow by entwining with other plants. Because of this, in China and Japan, arrowroot and wisteria are used as a symbol of something that is very complicated. Buddhist philosophy strives to describe what reality is. Because reality cannot be adequately expressed with words, it is sometimes described as “the ineffable.”

--Dōgen, chapter on Kattō


August 9, 2011


EXPOSITION 36 (DECOMPOSITION 10)




Intentionality of the author, in her words,

In her plot, in her quoting, in his views,

In his/her memory, in his/her class,

{Gramsci removed class}

outpouring into alterity, the wheel

spinning, the unknown naming, the

end of guidance, the nodes working

a nothingment into an alsomeant.

August 7, 2011


"Why is the educational apparatus in fact the dominant ideological State apparatus in capitalist social formations, and how does it function? 

For the moment it must suffice to say:

1. All ideological State apparatuses, whatever they are, contribute to the same result: the reproduction of the relations of production, i.e. of capitalist relations of exploitation.

2. Each of them contributes towards this single result in the way proper to it. The political apparatus by subjecting individuals to the political State ideology, the 'indirect' (parliamentary) or 'direct' (plebiscitary or fascist) 'democratic' ideology. The communications apparatus by cramming every 'citizen' with daily doses of nationalism, chauvinism, liberalism, moralism, etc, by means of the press, the radio and television. The same goes for the cultural apparatus (the role of sport in chauvinism is of the first importance), etc. The religious apparatus by recalling in sermons and the other great ceremonies of Birth, Marriage and Death, that man is only ashes, unless he loves his neighbour to the extent of turning the other cheek to whoever strikes first. The family apparatus . . . but there is no need to go on.

3. This concert is dominated by a single score, occasionally disturbed by contradictions (those of the remnants of former ruling classes, those of the proletarians and their organizations): the score of the Ideology of the current ruling class which integrates into its music the great themes of the Humanism of the Great Forefathers, who produced the Greek Miracle even before Christianity, and afterwards the Glory of Rome, the Eternal City, and the themes of Interest, particular and general, etc. nationalism, moralism and economism.

4. Nevertheless, in this concert, one ideological State apparatus certainly has the dominant role, although hardly anyone lends an ear to its music: it is so silent! This is the School. It takes children from every class at infant-school age, and then for years, the years in which the child is most 'vulnerable', squeezed between the family State apparatus and the educational State apparatus, it drums into them, whether it uses new or old methods, a certain amount of 'know-how' wrapped in the ruling ideology (French, arithmetic, natural history, the sciences, literature) or simply the ruling ideology in its pure state (ethics, civic instruction, philosophy). Somewhere around the age of sixteen, a huge mass of children are ejected 'into production': these are the workers or small peasants. Another portion of scholastically adapted youth carries on: and, for better or worse, it goes somewhat further, until it falls by the wayside and fills the posts of small and middle technicians, white-collar workers, small and middle executives, petty bourgeois of all kinds. A last portion reaches the summit, either to fall into intellectual semi-employment, or to provide, as well as the 'intellectuals of the collective labourer', the agents of exploitation (capitalists, managers), the agents of repression (soldiers, policemen, politicians, administrators, etc.) and the professional ideologists (priests of all sorts, most of whom are convinced 'laymen').

Each mass ejected en route is practically provided with the ideology which suits the role it has to fulfil in class society: the role of the exploited (with a 'highly-developed' 'professional', 'ethical', 'civic', 'national' and a-political consciousness); the role of the agent of exploitation (ability to give the workers orders and speak to them: 'human relations'), of the agent of repression (ability to give orders and enforce obedience 'without discussion', or ability to manipulate the demagogy of a political leader's rhetoric), or of the professional ideologist (ability to treat consciousnesses with the respect, i.e. with the contempt, blackmail, and demagogy they deserve, adapted to the accents of Morality, of Virtue, of 'Transcendence', of the Nation, of France's World Role, etc.)."


August 4, 2011

Originally published by BlazeVOX in 2005, my After the Giraffes is now on Scribd.

After the Giraffes