Received/Purchased:
The Looming Tower--Al Qaeda and the Road to 9/11 | Lawrence Wright | Vintage | 2006
Soul Mountain | Gao Xingjian | HarperCollins | 2000
Sally's Hair | John Koethe | HarperCollins | 2006
Souls of the Labadie Tract | Susan Howe | New Directions | 2007
December 27, 2007
December 18, 2007
Gabcast! Esther Press #10
From the current manuscript, reading three more poems--"Green," "Red," and "Piedras Blancas."
From the current manuscript, reading three more poems--"Green," "Red," and "Piedras Blancas."
December 13, 2007
Ariana Reines explains herself. And her book, The Cow. If you live in New York, you should circle January 11, 2008, on your social calendar. Here's the tempeh and potatoes. If you're not in New York, you can listen to her May 2007 reading here.
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Ego goo, as mentioned yesterday, will just simply be egoo from now on.
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Began watching Code Unknown by Michael Haneke. Same sinister atmosphere, same indifferent cruelty depicted, as in the others I've seen recently, Funny Games and Caché.
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Best title for a litmag in some time: Limp Wrist
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John Latta's Grand Piano.
December 12, 2007
A poet grouped inside a group and either not wanting to be part of that grouping or feeling that it doesn't explain him or her.
I tend to like poets who are not part of groups or groupings, I've found. Or I like to disentangle the false solidity of the grouping.
I've found also that public displays of poetic affection are fine and all, but there are private feelings heard that never become the public ones.
Often these contradict one another.
I sometimes feel that poetic peer pressure, wanting to be liked, all that ego goo, plays such a huge role in this, and that I prefer the private, as these comments are not filtered through the public (i want to put a K there), the Publick.
Eat your vegetables.
I tend to like poets who are not part of groups or groupings, I've found. Or I like to disentangle the false solidity of the grouping.
I've found also that public displays of poetic affection are fine and all, but there are private feelings heard that never become the public ones.
Often these contradict one another.
I sometimes feel that poetic peer pressure, wanting to be liked, all that ego goo, plays such a huge role in this, and that I prefer the private, as these comments are not filtered through the public (i want to put a K there), the Publick.
Eat your vegetables.
December 11, 2007
Gabcast! Esther Press #9
From the current manuscript, reading the poems, "The Ignored," "For Love," "Ah-Um," and "Lines."
From the current manuscript, reading the poems, "The Ignored," "For Love," "Ah-Um," and "Lines."
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